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Love my Eclipse, consider it an instrument in itself! A masterpiece you have created guys at Eventide. Had mine for over 12 years now and it's never failed me. I hope it continues to have life for years to come in the Eventide product line, I consider it to be one of my best purchases! So much...

    Eclipse V4 Owner

I can honestly say that this pedal has actually caused me to be more enthusiastic about picking up my guitar and jamming and being creative with new riffs. This is the only guitar effects pedal that is ever done that for me.

    H9 Owner

I'm enjoying Octavox immensely. The plugin is in my opinion genius and it's an inspiration builder when looking into creating melodies. 

    Anthology X Owner,     Ensemble Plug-in Subscriptions Owner,     Octavox Owner

I don’t think there was one record that I mixed during the late 70’s and early 80’s that didn’t have the 910 somewhere on the mix. That grainy low bit musical 910 sound disappeared on all later models. 


—Michael Brauer (Coldplay, John Mayer)
    H910 Owner

For the creative recordist, or sound-show manipulator, or serious student of musical sonics and speech patterns the Harmonizer also has unexplored potential for both investigating and creating a myriad of possibilities.

—Modern Recording (1976)
    H910 Owner

It was perfect for a double track effect on the lead vocal by slightly shifting the pitch and adding a short delay. Guitarists used it all the time as an effect by turning up the Feedback control for a wild tunneling effect. I would occasionally use it to manually pitch...

—Joe Chiccarrelli (The White Stripes, Frank Zappa)
    H910 Owner

I fell in love with it the moment I tried it. Tverb reproduces [Visconti's] technique by supplying algorithms that realistically emulate the microphones, processors, and room he used in the original recording...The result is a stunningly realistic reverberation paired with a huge collection of...

—The New People's Almanac
    Tverb Owner

To make a plugin that pays tribute to Mr. DAVID BOWIE and Tony Visconti at the same time shows once again that you have respect for the professionals in the audio industry and is a tribute to one of the biggest legends of the last 50 years who left us 30 years too soon unfortunately...You really...

—A. Hendrickx
    Tverb Owner

I'm really enjoying the subscription service! I already had Blackhole, the UltraChannel, and the UltraReverb. Now experimenting with the 2016 Stereo Room reverb and Omnipressor. Just unbelievable great sound! Thanks for offering that method of use!!

—Facebook user, C. Vurnis

Anthology X sounds much better than my old TDM system. I want to thank you so much for the wonderful present... it came just in time as we are starting our work on mixing. Please pass on my appreciation to the entire team who worked on the Anthology X platform... it's better than ever.

—Alex Campbell
    Anthology X Owner

I bought one of your new full loaded H9s. As I couldn't fit my usual compliment of stomp boxes into a suit case and hoped this would fill the void... It certainly did that and more!...It has become a main stay in the small project studio. Always with great results.

—Robert Wilks
    H9 Owner

The upgradeable part of the H9 is a big part of its appeal. But so is the absolutely awesome software functionality, which no other pedal or manufacturer can match these days.

—Scott McGrath
    H9 Owner,     H9 Control Owner

The 2016 plug is a regular component of my reverb scene. It's colorful texture penetrates guitar music better than just about anything.

—Hank Neuberger
    2016 Stereo Room Owner

I've used the Eventide SP-2016 on hundreds of projects since its initial release in 1983. I've always loved its smooth natural decay for vocals and orchestral tracks. The density of the reverb is great for drums and percussion. The new reverb 2016 retains all the charm of the original while...

—Mick Guzauski
    2016 Stereo Room Owner

I love the Princeton Reverb. The 'New' reverb sounds great. It's my new favorite snare drum reverb. It's got all the tone and character of the original 2016 but with much more life and aggression. It fits in the track nicely, it complements the original sounds and doesn't eat up too much room....

—Joe Chiccarelli
    2016 Stereo Room Owner

For those of us in the engineering profession, the Eventide 2016 has been the reverb by which we judge all reverbs. These legendary reverb algorithms are among the most eagerly anticipated plug-ins ever!

—Dave Pensado
    2016 Stereo Room Owner

I've been bugging any number of reverb manufacturers to emulate the 2016's "Stereo Room" for over a decade. I'm excited to finally have one of my favorite reverbs available again.

—George Massenburg
    2016 Stereo Room Owner

UltraChannel changed my mixing style. I have PT11 HD 2 Accell and large pot of plug-ins which cost a bundle, but this one leaves them all in the dust, I have never been able to place vocals (in the box) in a mix correctly, all my plugs make the vocals smaller than the music but with this plug-in...

    UltraChannel Owner

I would just like to say that the H9 Stompbox is amazing product and has been an inspirational tool to my students I've been's been requested every session.

—Dwayne Hamilton
    H9 Owner

You did it again. Amazing how you can put more than 40 years of exquisite audio technology into a single stompbox...Now you have the world best effect processor in the palm of your hand.

—Arnd Hendrickx
    H9 Owner

I have had my Eventide H9 for 30 days now, and I am so impressed that I feel compelled to give some feedback. Last year, I bought an Axe FX and hated it from the second I unboxed it. It’s probably fine for guys who can hire a tech just to program a guitar processor. I spent so much time fiddling...

    H9 Owner