Eventide and the Sound Effects for “Dune”
“Know then that it is the year 10,191…” Those words begin the epic sci-fi movie “Dune,” released in 1984. What follows is a valiant attempt […]
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Dweezil Zappa checks out the H9 Max
Dweezil Zappa demo’s the H9 Max in this in-depth video by Guitar Tricks. He’ll guide you through all the different effects algorithms available in the
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Using Eventide Effects for Movie Sound Design
Marcelo Cyro has worked for more than 15 years as a sound designer and engineer. He and his partner, Pedro Lima, worked on sound for
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Exploring SpaceTime
If you modulate delay, does it create space? If you delay modulation, does it create time? We quickly realized we’re better at coming up with
#bestNAMMyet
This was Eventide’s umpteenth year participating in Winter NAMM in LA and while it’s always fun to escape the snow and cold of winter in
Dan Gillespie AudioNewsroom.net Interview
The folks over at audionewsroom.net recently caught up with our senior DSP Engineer, Dan Gillespie, to discuss Eventide’s latest software release, Anthology X. Do you
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Highlights from AES 2015
Amidst the hubbub and hustle of Midtown Manhattan, through the endless shuffle of those in Halloween costume (and those that just looked like it), this
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Josh Sklair, Etta James and the Eventide H3000SE
I have been an active studio guitar player in Los Angeles since the 80’s, working on a variety of albums, movies, television shows and commercials.
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Insider #33 AES, Blogs, IMSTA and more…
Eventide’s BlogFactor We’ve had a blog for a few months now, and we’ve published features about awards, trade show visits and so on, and we’ll
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CrushStation Wins Guitar Player Hall of Fame Award
Guitar Player today announced that the Eventide H9’s CrushStation algorithm is the recipient of its 2015 Hall of Fame Maximum Gear award in the Technology
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