Blog

This year's SXSW Gear Expo was busier than ever. Eventide had two setups: one showing our Factor Pedals and Anthology X plug-ins with a Moog synth as part of the Deli Magazine's Synth Expo, and one area with a comfy couch, guitars and Supro amps where people could try out all of the Eventide stompboxes in stereo including the H9 Max. 

After a bit of research today it turns out that at least our Harmonizer®, Instant Flanger™ and delay effect units did indeed play a part in the movie "Dune." Check out how.

Marcelo Cyro has worked for more than 15 years as a sound designer and engineer. He and his partner, Pedro Lima, worked on sound for the Brazilian movie, The Boy and the World, which has won awards at over 40 film festivals and was recently nominated for an Oscar® in the category of Animated Feature Film.

The world of physics has been abuzz with rumors that Einstein's last unproven theory has been confirmed.

Einstein reportedly once defined "crazy" as repeating the same thing over and over again and expecting a different result. At Eventide we call that "delay," but you can call it whatever you like. It’s all relative, right? And thus, we humbly offer our own proof of the theory of General Relativity on (or about) the 100th anniversary of its publication: SpaceTime. The SpaceTime algorithm contains three custom-built effects that can help you further your studies of how time and space interact with sound.

This was Eventide’s umpteenth year participating in Winter NAMM in LA and while it’s always fun to escape the snow and cold of winter in the northeast, this year was the best yet.

Eventide's Insider January Edition at a glance:

Happy 2016! It's not just an Eventide model number anymore
UltraChannel plug-in (almost) free - 80% off!
Universal Audio H910
H3000 Harmonizer to be inducted into the Audio Hall of Fame
Winter NAMM 2016: Check out what's new
H9 Max nominated by 31st Annual TEC Awards
New Bowie Song, "Blackstar" 

When composing the title track of my new solo electric viola CD, "No Ordinary Window," I considered the Eventide H9 to be a member of my ensemble, a collaborating player/instrument. Although technically written for a solo instrument, the work is essentially chamber music. On the recording, and perhaps better illustrated when played live, the music on the page takes on a multidimensionality, incorporating harmonization, rhythmic complexity, as well as expanding and enhancing the natural sound of the viola.

The folks over at audionewsroom.net recently caught up with our senior DSP Engineer, Dan Gillespie, to discuss Eventide's latest software release, Anthology X.