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Some of the best money I've ever spent on software. When I was learning how to mix, I was always searching for that 'secret weapon' plugin that would make my mixes sound commercial. I never found it, until now...That multi-band limiting and transient control are absolutely incredible. Other...

—Michael Von Olden

Thanks for this great eq, the transient clarity of this linear phase eq is the best I've heard ever.


I can testify that the Eventide Omnipressor plug is a faithful duplication of the original hardware unit that we had at AIR Studios 214 Oxford St London. Not many engineers used it because it had too many knobs but I loved it because it could do weird and wonderful things.


A surprisingly versatile plugin. I’m loving the range of expression available. It will take you from distorted mayhem to beautiful characterful spaces with the tweak of a few knobs. Unlike anything else I’ve used.

—Aaron Nevezie (Black Keys, tUnE-yArDs, Dangermouse)

"A killer tool for making elements in a mix sound like they happened in an interesting space."

—Joel Hamilton (Tom Waits, Iggy Pop, Highly Suspect)

"One of the most interesting reverbs I've ever heard. It’s like running an EMT plate or outboard reverb through a vintage tube amp or analog distortion, but with infinite control over all the parameters of both, and all in one plugin!"

—Lawson White (Ben Folds, Shakira)

In conclusion, I would, without hesitation, say that the Reverb 2016 is as versatile as a stand-alone reverb could ever be, sounds outstanding, and is without peer in its simplicity of operation. These features combine to make the 2016 anyone’s first choice for a sound re-enforcement reverb unit...

—Peter Aresnal

In a short time, I've become fascinated with the simplicity of EQuivocate and the results I get from what's happening under the hood. The other night I was thinking of how to zero in on problem frequency areas by simply decreasing the number of bands, and increasing them until I find the culprit...


Love my Eclipse, consider it an instrument in itself! A masterpiece you have created guys at Eventide. Had mine for over 12 years now and it's never failed me. I hope it continues to have life for years to come in the Eventide product line, I consider it to be one of my best purchases! So much...


I can honestly say that this pedal has actually caused me to be more enthusiastic about picking up my guitar and jamming and being creative with new riffs. This is the only guitar effects pedal that is ever done that for me.


I'm enjoying Octavox immensely. The plugin is in my opinion genius and it's an inspiration builder when looking into creating melodies. 


I don’t think there was one record that I mixed during the late 70’s and early 80’s that didn’t have the 910 somewhere on the mix. That grainy low bit musical 910 sound disappeared on all later models. 


—Michael Brauer (Coldplay, John Mayer)

For the creative recordist, or sound-show manipulator, or serious student of musical sonics and speech patterns the Harmonizer also has unexplored potential for both investigating and creating a myriad of possibilities.

—Modern Recording (1976)

It was perfect for a double track effect on the lead vocal by slightly shifting the pitch and adding a short delay. Guitarists used it all the time as an effect by turning up the Feedback control for a wild tunneling effect. I would occasionally use it to manually pitch...

—Joe Chiccarrelli (The White Stripes, Frank Zappa)

I fell in love with it the moment I tried it. Tverb reproduces [Visconti's] technique by supplying algorithms that realistically emulate the microphones, processors, and room he used in the original recording...The result is a stunningly realistic reverberation paired with a huge collection of...

—The New People's Almanac

To make a plugin that pays tribute to Mr. DAVID BOWIE and Tony Visconti at the same time shows once again that you have respect for the professionals in the audio industry and is a tribute to one of the biggest legends of the last 50 years who left us 30 years too soon unfortunately...You really...

—A. Hendrickx

I'm really enjoying the subscription service! I already had Blackhole, the UltraChannel, and the UltraReverb. Now experimenting with the 2016 Stereo Room reverb and Omnipressor. Just unbelievable great sound! Thanks for offering that method of use!!

—Facebook user, C. Vurnis

Anthology X sounds much better than my old TDM system. I want to thank you so much for the wonderful present... it came just in time as we are starting our work on mixing. Please pass on my appreciation to the entire team who worked on the Anthology X platform... it's better than ever.

—Alex Campbell

I bought one of your new full loaded H9s. As I couldn't fit my usual compliment of stomp boxes into a suit case and hoped this would fill the void... It certainly did that and more!...It has become a main stay in the small project studio. Always with great results.

—Robert Wilks

The upgradeable part of the H9 is a big part of its appeal. But so is the absolutely awesome software functionality, which no other pedal or manufacturer can match these days.

—Scott McGrath