If you don’t have it already, you’re going to need the QuadraVox or Diatonic algorithm. With QuadraVox, you have 5 additional voices available, with novel spacing controls. Diatonic has two additional voices, with quasi-independent delay controls. Here’s a dry tonic + 4 slowly “fingerpicked” notes:
… and a descending variation in Am. The dry note, plus only 3 additional voices here (PITCH D set to OFF). These two presets have an expression pedal mapped to DLY GRP. Equally spaced notes in the arpeggio are set to . A .B .C .D The toe position contracts the notes into a chord ….ABCD, which plays at the current DELAY D time:
The next preset ascends quickly, with an unequally spaced note distribution. I’ve mapped PITCH D to the expression pedal; to allow sweeping the last note from 2 octaves above your input note, through 1 octave above it. Almost like having an arpeggio with an arpeggio:
