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Not clearly documented as such, but the FILTER control swings both ways [lo-cut/highpass],  FILTER effects can be spread by the difference in parallel DELAY times.  The ’50’s sci-fi DELAY A setting is quickly decimated by the FILTER setting, while the DELAY B phrase loop disintegrates more slowly. Neither DELAY will output until your input drops below the THRESHOLD level, which can make for some interesting combinations of reflections & frequency response.

With shorter delay times, it’s important to keep the RELEASE time at least equal to – or better, less than – the smallest DELAY setting.  Half of the shorter delay value is a good starting point for RELEASE, as to not ‘lose’ the delay in that segment of the compressor processing.