Thanks for the post. I didn’t realize that 500 series for synths and pro audio are two different animals. the synth ones have all the connections in the front using patch cables whereas the pro audio stuff typically includes TRS / XLR in- and outputs in the back.
Looks like these are made for the synth kind or am i missing something?
I’d still like someone from Eventide audio to chime in on the subject. A H9 max probably has a decent resale value …
