skywriter wrote:
… Before Eventide came out with multieffects (Spacetime, Pitchfuzz, and Harmdillo to date), I found uses for up to 5 pedals – the max. Now, I use three in the studio, and two in my practice space. I could sell a couple without discomfort – but who can give up the potential of FIVE MAXS!! Five liquid choruses sounds sublimely liquid. Or ten micro pitch delays… it’s leaves the speakers literally gooey. 🙂
That brings up some pretty good additional points. Learn one; learn both. The same global configurations. Similar parameters layouts. And the ability to create your own ‘mega-algorithms’: Two dissimilar algorithms that sum up to create a feature set extending well beyond either single component algo. Four harmonies with delay feedback. Panning phasers. Dual series delays. Scale contrained trills. The list goes on …
