I think we’re going to need quite a few more H90s to play that piece. Something like the Reed-Piano-Violin Phase pieces might be an easier place to start.
Interesting concept, though. Using the Resonator to simulate mallet instrumentation and the core motif. I suppose you’d need two instances in parallel for process music like this.
I have done something similar with doubled-up Loopers and parallel Presets of UltraTap. Nearly identical instances, with the phasing controlled by an expression pedal mapped to one of them. A HotKnob would work even better, for the desktop jockeys with two hands free.
No Tempo Mode; it’s a bit too coarse for the fine gradients you need to pull it off smoothly. And not too ‘wide’ of a range in milliseconds, either. It’s more controllable to limit how far the phasing offset travels.
