Pedals with the Pros: tamiX
This week on Pedals with the Pros, we catch up with Eventide artist tamiX, aka Nan Tang 汤楠. You’ve probably seen her at countless tradeshows […]
Pedals with the Pros: tamiX Read More
This week on Pedals with the Pros, we catch up with Eventide artist tamiX, aka Nan Tang 汤楠. You’ve probably seen her at countless tradeshows […]
Pedals with the Pros: tamiX Read More
“It’s a great instrument. There is a whole world out there that is available through some microtonal instigation, and Misha is great for that.”
For Lisa Bella Donna, Eventide’s Misha Invites Discovery and Curiosity Read More
“It is just a very interesting approach to creating and playing new melodies, and it gave me results that I wasn’t expecting”
Richard Devine Finds Misha Eurorack Sequencer Creative and Inspiring Read More
This week on Pedals with the Pros, we catch up with guitarist Maddie Rice. You’ve probably heard her shredding in Saturday Night Live’s current house
Pedals with the Pros: Maddie Rice Read More
We recently caught up with electronic musician, composer, and sound designer Anthony Baldino. Baldino’s record, Twelve Twenty Two, covers vast sonic territory; and his work
Sculpting Sounds with Anthony Baldino Read More
Explore the history of tape flanging and the first device to simulate the effect, the PS101 Instant Phaser.
50th Flashback #1: The PS 101 Instant Phaser Read More
Join us at this year’s Audio Engineering Society New York Convention at Booth #222 in the main exhibition hall, or at booth #504C in the
Eventide at AES New York 2019 Read More
In 1979, Tony Agnello had a vision. Up to that point, effect units were dedicated to a single function. There were EQs, compressors, limiters, pitch
A Glimpse of the Future from the Past Read More
Is Trade Show Fatigue Setting In? I know, me too. Tough darts to us both. And yet, if this blog is to maintain a semblance
#TBT Richard Factor on NAMM 2019 Read More
Jack here again, fresh off the boat from the 143rd AES Convention. This was actually my first AES Convention, and I believe this was an
AES 2017: One for the Books Read More