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In Memory of Stephen M. Katz, 1945-2023
This blog by Richard Factor is dedicated to our dear friend and co-founder, Stephen M. Katz, who sadly passed away a few days ago. This Particular Steve Katz Was, Briefly, a Ham…
Mike Gordon of Phish touring with H90 & H9000
We recently had the great pleasure of checking out Phish live during their NYE run which was an awesome experience!
Eventide H9s go on tour with Kenny Chesney and Robert Scovill
Looking to incorporate Eventide pitch shift algorithms into his signal path, veteran FOH engineer Robert Scovill elegantly implemented a works-in-a-drawer solution powered by Eventide H9 pedals.
Nate Navarro takes Bass to the Next Dimension with H90
Check out Nate Navarro’s H90 demo and download a program list of his favorite bass tones for free.
Kevin Madigan on Shaping Frequencies & Controlling Transients with SplitEQ
SplitEQ was a go-to plug-in when mixing Kendrick Lamar’s “Die Hard” in Atmos.
For Lisa Bella Donna, Eventide’s Misha Invites Discovery and Curiosity
“It’s a great instrument. There is a whole world out there that is available through some microtonal instigation, and Misha is great for that.”
Exploring SP2016 with Hip-hop Engineer, Dxt3r
Learn as he demonstrates how how the legendary SP2016 algorithms work in a hip-hop vocal mix.
Richard Devine Finds Misha Eurorack Sequencer Creative and Inspiring
“It is just a very interesting approach to creating and playing new melodies, and it gave me results that I wasn’t expecting”
Pedals with the Pros: Maddie Rice
This week on Pedals with the Pros, we catch up with guitarist Maddie Rice. You’ve probably heard her shredding in Saturday Night Live’s current house band, or in the house band for…
Explore Our 50th Flashback Series
50th Flashback #1: The PS 101 Instant Phaser
Explore the history of tape flanging and the first device to simulate the effect, the PS101 Instant Phaser.
50th Flashback #2.1: The DDL 1745 Delay
Learn about the history of the Digital Delay Line and it’s impact on the industry.
Flashback #2.2: The DDL 1745A Delay
Learn how DDL1745 evolved with the addition of LEDs and improved electronic control of delay.
Flashback #2.3: The DDL 1745M Delay
We take a look at the DDL1745M, a new kind of Delay Line with built-in RAM Memory.
Flashback #3: The Omnipressor®
Learn about the world’s first dynamics effects processor with sidechain and a host of other features.
Flashback #4.1: The H910 Harmonizer®
Learn the history of pitch change and the products that would eventually become the Harmonizer.
Flashback #4.2: H910 Harmonizer® Pt. 2
Explore how the combination of Delay, Pitch & Feedback became the H910 Harmonizer.
Flashback #4.3: H910 Harmonizer Pt. 3
Minds. Blown. The earliest users of the H910 share their experience with the world’s first digital effects device.
Flashback #5: FL 201 Instant Flanger
Learn the history of tape flanging and the and the many ways the FL201 Instant Flanger changed music production.
Flashback #6: HM80 — The Baby Harmonizer®
Learn about our first non-rackmount product, the HM80—a Harmonizer designed for performing musicians.
Flashback #7.1: The H949 Harmonizer®
Learn about our de-glitching technology and the nuts and bolts of the first Intelligent Audio Processor!
Flashback #7.2: H949 Pt. 2
Part two of the H949 Harmonizer Creation Saga explores the many groundbreaking features of this new and improved Harmonizer.
Flashback #7.3: H949 Pt. 3
We continue the tale of the H949 Harmonizer by sharing stories from some its most devoted users and the classic albums it has appeared on.
Flashback #8: The H969 Harmonizer®
Learn about the Eventide H969 Harmonizer, released in 1984 and offered the “cleanest, highest quality pitch change ever.”
Flashback #9.1: Broadcast
The Broadcast Products that Were and Weren’t, including the short-lived Eventide Monstermat.
Flashback #9.2 Dump & Go – The Profanity Delay
Learn about the Eventide Profanity Delay which became almost indispensable to talk radio.
Flashback #10: Thinking Outside the Black Box
Learn about an entirely different product, the Eventide Spectrum Analyzer.
