I’m technically cheating here, but many of the H9 / ‘Factor algorithms can mimic envelope and gating characteristics without an integrated compressor. Besides, I’ve always been a sucker for these Poltergist / Hendrix type of effects, when used sparingly.
Expression Pedal Heel Position
Expression Pedal Heel MOD-LEVEL 0
Expression Pedal Toe MOD-LEVEL 100
The expression pedal mapping simply folds in the depth of modulation. One favorite technique is to set TEMPO ON, then play to the reverse reverb in a call-and-response manner. With precise timing, it’s easy to create complex & overlapping phrases out of sparse input. Pauses are followed by a sudden ‘gate’ after DECAY time completion.
Tempo Sync Phrasing [@ Expression Pedal Toe Position]
Use the HotSwitch here to kick in an infinite dimensional SIZE, and also add a FEEDBACK loop around the entire algorithm. Detuning and pitch bends can occur over time with expression pedal control over MOD-LEVEL. A beautiful holding pattern pushing a wall of sound; one that churns and recycles.
Disengaging the HotSwitch quickly brings up the reverse envelope once again, followed by the ‘gate’ slamming shut.
HotSwitch On [Expression Pedal at Mid-Travel]
HotSwitch OFF SIZE 0
HotSwitch OFF FEEDBACK 0
HotSwitch ON SIZE INF
HotSwitch OFF FEEDBACK 100
