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“When we first announced the H9, it was viewed as ‘just another stompbox’,” explains Agnello. “It took a while for folks to grok that the H9 is different. It’s a living, evolving platform. With the release of our latest algorithm PitchFuzz, we’re giving H9 owners yet another useful and powerful creative tool for less than a night at the movies. With the H9, musicians have a world of studio-quality effects at their feet or on the console.”
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This sounds like another candidate for signal flow graphics / adjustments on “page 2”.
Now I wonder where FEEDBACK (if available) re-enters that signal chain …?
Now, that’s THE question.
We’ll see…