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Here are a few presets to get you started:  a fast, abrupt gate, a rounder gating action, and a Slow Gear-type effect.  Like any compressor, the THRESHOLD setting is critical.  It needs to be carefully adjusted to your input / playing technique, and it is interactive with the rest of the main compression parameters.

The reverb section isn’t used anywhere here.  MIX settings less than 100% lend themselves to parallel compression effects.  Of course, the distortion algorithms and EQ Compressor can take over the ‘workhorse’ compression chores – in a ‘program dependent’ manner.  Just drop out (or minimize) the drive components.