Here are a few presets to get you started: a fast, abrupt gate, a rounder gating action, and a Slow Gear-type effect. Like any compressor, the THRESHOLD setting is critical. It needs to be carefully adjusted to your input / playing technique, and it is interactive with the rest of the main compression parameters.
The reverb section isn’t used anywhere here. MIX settings less than 100% lend themselves to parallel compression effects. Of course, the distortion algorithms and EQ Compressor can take over the ‘workhorse’ compression chores – in a ‘program dependent’ manner. Just drop out (or minimize) the drive components.
