I hope that you caught my typos above (under the 3rd image). It’s corrected below:
In the ARP LEVEL mode, PITCH B and PITCH C will always run through DELAY B and DELAY C. It’s another method for mixing between voices. Dry + PITCH A at Arp Wet 0, and PITCH B + PITCH C at Arp Wet 99.
https://www.dropbox.com/s/khjrod3nvdplyuh/Mimic%20Mixed%20Pair.h9z?raw=1
PITCH AMT stays static at 3.0 Voices, and the mixing of voice pairs takes place under ARP LEVEL.
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Expression pedal HEEL is the default preset position. Lighter doubling of dry + PITCH A.
At the TOE position, ARP LEVEL is a 50:50 mix of dry + PITCH A, with PITCH B + PITCH C on the ‘wet’ side.
For the HOTSWITCH = ON feature here, I added a switch-over to Group Wet 50 – DELAY LEVEL. Dry / overdrive + PITCH A + PITCH B + PITCH C at Group Wet 0, and everything goes through the delay lines at Group Wet 99. Note that the delay labels have now changed to DELAY 1 and DELAY 2 (now under DELAY LEVEL).
It’s a lot thicker sound – by design – but you lose the timing differences & separation between voices. Any movement by the expression pedal will override the HOTSWITCH. Everything shifts back to Arp Wet – ARP LEVEL voice mixing, and DELAY B – DELAY C processing, until the next HOTSWITCH = ON trigger.