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That sounds like the way to do it.  Plus you can pan the 4 voices, and authentically apply detuning to just the +1 & +2 octaves.  Shame to use up both Preset slots for it, though.  Personally, I like a slot free for the POG attack or filter features.

Octaves are usually pretty forgiving in the non-Polyphony algorithms.  I’ll often use PitchFuzz for 3 octaves, QuadraVox for four, with maybe the Omnipressor [DynaVerb] or another EF / Slow Gear-type effect upstream.