Hey Brock,
“Here’s my basic philosophy. Start out from scratch with both Presets at 100% wet*** (when there’s a Mix parameter) in Series or in Parallel. Then 50% Program Mix in Parallel with all of that. It’s my master balance between dry & wet, and it works well with the modulation effects that often do the same (ex. – phasers). Great place to begin.”
This post inspired me to take Program Mix seriously and when I did I found most of my programs sounded better with a 50% program mix. That’s now a standard part of my process.
Much obliged for sharing your wisdom!
