Brian May Patch -H90

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    • #174181
      Securb
      Participant

        There was a Brian May-like patch that sounded like his guitar on the Flash soundtrack that I cannot find on the H90. I remember using it on the H9. If anyone remembers the name, I would appreciate it.

        Also, if you know of any other Brian May-like patches I should check out I would appreciate the help.

      • #191332
        Hugooz
        Participant

          Im looking for the same I cant seem to get the tones I want from the diatonic algorithm

           

        • #191333
          Hugooz
          Participant

            Im looking for the same I cant seem to get the tones I want from the diatonic algorithm

             

          • #191346
            brock
            Participant

              I don’t know what everyone’s tried or heard before in Diatonic.  Of course it’s important to select the matching Key & Scale, and the harmonies desired in Pitch A & Pitch B.  Stick to single-note lines and simpler double-stops.  But it’s equally important to simulate the multiple guitar overdubs.

              Add up to several dozen milliseconds of delay time, with Delay A offset in time from Delay B (and also from your dry guitar).  Balance between the harmony voices with Pitch Mix.  Use an EXP pedal to slightly vary Pitch Mix to either side of center at A10+B10.  That will a little greater emphasis on one or the other ‘overdubbed’ voice.

              Here’s a quick example I tossed together that may give you a head start.  Quant is OFF in Diatonic, for more forgiving string bends & wider vibrato.  The Weedwacker instance in Series is optional.  I just used it to push the midrange, and add some hair to the output.

              Brian Maybe Or Maybe Not 800x453

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            • #191350
              brock
              Participant

                After a little more thought & refinement … I attached a Program here to get you started.

                • The three HotKnobs adjust the effect mixes, delay times and distortion components.
                • EXP pedals vary the Pitch Mix in a subtle way, or add Feedback to the delay lines.
                • AUX or HotSwitches change up harmony intervals, for 3 variations on the base Program set.

                I like the idea of using momentary switches to do hammer-ons & pull-offs, much like a Digitech Impossible or HammerOn pedal can do.  They’re easily accessible, and help to break up the static nature of the ‘overdubbed’ guitar voices.

                A bit of pre-H90 overdrive doesn’t hurt the emulation.

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              • #191362
                Hugooz
                Participant

                  Wow Thank you SO much!

                  Fred

                • #191402
                  Securb
                  Participant

                    Cool to see this thread pop up. I found the patch and used it on our album last year. It is at around 1:58 on this track

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