Home › Forums › Products › Stompboxes › Polysynth Questions
- This topic has 2 replies, 3 voices, and was last updated 1 year ago by tbskoglundEventide Staff.
-
AuthorPosts
-
-
December 2, 2023 at 12:20 pm #176443IronStomachParticipant
Really enjoying the Polysynth algorithm so far, but I’ve encountered a few things I think could be improved:
- Unless I’m missing something, there’s no way to slightly detune the three oscillators when set in unison mode – that would be really cool, especially if they added a few more LFOs for subtle modulation
- The attack time is great for big chord swells & pads, but it desperately needs a release time as well – it’s very jarring to swell into a nice chord and then hear it die abruptly when the guitar’s signal falls below threshold.
- I’m getting some pretty gnarly clipping when playing hard with humbuckers – the input signal isn’t red, so it’s not clipping the H90 inputs, but it sounds like digital over-modulation.
<p style=”text-align: left;”>Overall it’s great, but it could be so much better/closer to an actual synth rig with a few more tweaks. Anyone else have thoughts about Polysynth?</p>
-
December 2, 2023 at 2:55 pm #176449brockParticipant
- Curious, are you using the LFO Dest set to Detune, with a positive or negative LFO Amount, or just the Detune parameter itself? Some combination of the above?
- Without knowing the above, I can suggest to start by using one or the other: Detune itself, or LFO Dest – Detune with LFO Amount minimal. Set whatever you’re not using at the moment to zero.
- Hmm, I don’t find PolySynth to be dropping off the cliff like HotSawz. The filter envelope follower is a joy to use on string decay. If Cutoff / Resonance is bright, high & sustaining, have you tried the Freeze & Freeze Rel combinations?
- Yeah, I think that’s a function of the badass filter. You can easily add up modulations and get that filter popping. My only suggestions there are to back off the Cutoff / Resonance some, try reversing pos & neg, or tone down the modulation parameter amounts.
-
December 3, 2023 at 1:10 pm #176463
In addition to what Brock mentioned above, you can use the momentary Freeze performance parameter, and adjust the freeze release time to your liking for a sustain/release sound. This works great with big swells and pads.
If you think you are experiencing some issues with the synth engine distorting/clipping, it would be useful for us if you can provide and audio example and steps to reproduce this. Please email support@eventide.com with this information if you’d like to pursue this further.
-
-
AuthorPosts
- You must be logged in to reply to this topic.