Home › Forums › Products › Stompboxes › Polysynth – you guys are amazing!
- This topic has 7 replies, 3 voices, and was last updated 1 year ago by brock.
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November 25, 2023 at 7:39 pm #176121rogratParticipant
I was considering buying a synth pedal e.g. Meris, Source Audio etc but I don’t need one that badly, and certainly don’t need it to be that fully featured. This Polysynth has just saved me the effort.
Thank you!
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November 25, 2023 at 10:15 pm #176126brockParticipant
That PolySynth is really something, isnt it? I made the comment elsewhere that this feature set would be very close to what I was looking for in my 1st keyboard synth.
And yet, I can use it with my guitar (and most everything else). I think the polyphony tracking is pretty amazing, and I’m struck by how closely the envelope follows my input’s natural dynamics.
Adds a whole new dimension to onboard volume control techniques upstream. I’m impressed by this algorithm.
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November 25, 2023 at 11:42 pm #176128PRSGUY513Participant
I had commented elsewhere where the Polysynth algo turned what I felt was somewhat overpriced into something worth it for this alone. I imagine Eventide will see H90 purchases on the increase. Kudos to Eventide.
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November 26, 2023 at 4:48 am #176130rogratParticipant
I naively immediately set this up for post guitar preamp but when I finally set it up behind the preamp it really sings and somehow retains a lot of guitar tone and dynamics. Not sure I will ever get my head around those 24 controls though. I may just look for ready made patches.
Also I can’t say how much I appreciate not taking up more space, more loops, more power connectors, more MIDI connectors on my board as I would have done if I had bought a synth pedal.
Incredible.
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November 26, 2023 at 12:28 pm #176134brockParticipant
… Not sure I will ever get my head around those 24 controls though. I may just look for ready made patches …
It’s not hard to miss something (all of them don’t fit on one H90 Control screen in my laptop). But I think it helps to mentally group parameters together.
Voices / oscillators: Levels, Shifts, Shapes 1-2-3. Overall control over this multi-voice group: Spread, Detune, Play Style.
Low pass filter & envelope follower grouped together: Attack, Cutoff, Resonance, Env Amount, Env Sens. Separate but related: Freeze Rel and the Freeze Performance Parameters.
LFO in the assignable wildcard group: LFO Dest, LFO Amount, LFO Rate & LFO Shape.
Positive / negative modulation throughout deserves its own dedicated discussion. Pitch Wheel for global control.
There have been a few more PolySynth patches popping up in the wild already. Some are a very good additions to the wide-ranging [F]actory offerings.
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November 26, 2023 at 2:01 pm #176137PRSGUY513Participant
This video has some good information on the new Polysynth Algorithm and near the end he uses a pretty cool organ patch from the preset exchange. Worth a look.👀
https://youtu.be/3XM2WSsQ9Qk?si=UMkAaWC5bx96LLiL -
November 26, 2023 at 2:56 pm #176139rogratParticipant
Thanks for the synth lesson. I may revisit some of those Native Instruments presets!
Yes that video is quite helpful. I’ve lost count of how many of his videos I’ve watched and I don’t recall a bad one.
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November 29, 2023 at 1:12 pm #176302brockParticipant
Nicely done walkthrough:
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