News from the Lab: H9000 Part 1
Hello! My name is Jack Impink. I am an electronic musician by trade, working with both gear and software. I like to use older equipment …
Uncategorized
Catching up with Newfangled Audio’s Dan Gillespie
Eventide’s former DSP Engineer, Dan Gillespie, recently launched his own company, Newfangled Audio. The new company has released two new and exciting mastering plugins — Elevate & EQuivocate (both available …
Hit the Low End – H9 as a Bass Pedal
With effects algorithms that range from reverb to delay to pitch-shifting and beyond, the H9 is a pedal that pretty much does it all. In …
An Introduction to Structural Effects™
Background Since the dawn of recording, engineers and musicians have been manipulating sound using various mechanical and electrical means. Analog was the only show in …
A Signature Piece
As Eventide’s first pitch-shifter – and the world’s first digital rack effects unit – the H910 Harmonizer® carries with it a rich history. From Tony Visconti’s infamous …
Sculpt Sneak Peek Jam
Vernon Reid and Andee Blacksugar demonstrate Sculpt, available soon for H9 Core, H9, and free for H9 MAX. Sculpt is a multi-band distortion algorithm that provides …
Exploring SpaceTime
If you modulate delay, does it create space? If you delay modulation, does it create time? We quickly realized we’re better at coming up with …
CrushStation Wins Guitar Player Hall of Fame Award
Guitar Player today announced that the Eventide H9’s CrushStation algorithm is the recipient of its 2015 Hall of Fame Maximum Gear award in the Technology …
CrushStation Wins Guitar Player Hall of Fame Award Read More
H9 Gets Dirty
From Eventide Labs, a new Species of Grit – CrushStation – emerges from the slime. With CrushStation, a new world of overdrive effects with extensive …
Spring into Summer
The Spring Reverb is one of the main components of “surf rock”. Originally released on the Space pedal, it’s available for the H9 via the …