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John Baylies wrote:

A general answer would be to use sidechain compression with the reverb as the source and the percussion sample as the sidechain.

I can give you a more specific answer if you can tell me more about the reverb algorithm presets you're using.

You’re talking about in the DAW session I’m assuming? This would make sense. I’ll try that. I’ve noticed this on many of the 2016 verb presets, no one in particular stands out. Even the other stuff, if I inch up pre delay it’s the same thing.