Home › Forums › Products › Stompboxes › Tri Stereo Chorus request for H9
- This topic has 13 replies, 1 voice, and was last updated 2 years, 10 months ago by toddmunderwood.
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August 6, 2017 at 1:47 pm #114302toddmunderwoodParticipant
Request for a Tri Stereo Chorus Algo for the H9 similar to the Fulltone Terc reissue….
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August 9, 2017 at 6:32 pm #146955brockParticipant
Interesting thought. It hasn’t been Eventide’s style to do direct emulations. That said, it seems like all of the components would be available. The key parameters to expose would be individual Depths over the three LFO phases, and maybe a Hi-Cut filter simulating analog(ue). Here’s a similar take from FTT on the LFO structure:
This makes me wonder how the lush chorus in SpaceTime is configured, albeit with fewer exposed controls. It sounds to me like multiple phases of an LFO waveform, especially at slower Rates. SpaceTime has become one of my go-to algorithms for chorusing effects, with or without the delays, reverb, and routing options.
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August 10, 2017 at 12:01 pm #146957jrakarlParticipant
I’ve been wondering about this on the H9 as well. It’s tough to find an FX processor with three delay lines and phase adjustment on each.
It would be fabulous if Eventide provided the facility in the H9 – I can’t think of an algorythm currently available that provides this function in the H9.
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August 11, 2017 at 1:37 pm #146969brockParticipant
This particular request (sort of) fits in as a subset of another recent FR:
https://www.eventideaudio.com/community/forum/stompboxes/h9-algorithm-request
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January 15, 2020 at 5:52 pm #153736mjahogerParticipant
Seems we got what was requested!
https://www.eventideaudio.com/products/algorithms/tricerachorus
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January 15, 2020 at 10:10 pm #153743daviddbParticipant
And a thing of beauty it is! Just loaded it up, hit an open G and am in love 🙂
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January 15, 2020 at 10:52 pm #153744brockParticipant
As much as I’ve wanted to, I just haven’t been able to try this out yet. Looks intriguing. And named after my favorite dinosaur. Not only a 3X chorus, but a semi-mysterious Chorale mode. Plus (and yes, minus) 40 cent detuning. 3 LFOs & 2 envelope controls. And how about those crazy-long delay times (for a “chorus”)? Thicker than fiddlers in Hell; you can be sure. And I can already see a wide range of FX, from subtle to extreme.
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January 16, 2020 at 12:10 am #153745mjahogerParticipant
Yes. It is lovely indeed. Combining this new algorithm with the SpaceTime in my second H9 is basically all I need (although a multi-tap delay with control over the individual modulation line and panning would be very welcome still!).
Can someone explain me what the difference is between the chorus and chorale mix? Listening to the difference, it seems it changes the phase of the modulated delay lines. Am I correct?
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January 16, 2020 at 12:43 am #153746davebrubakerParticipant
It’s a really nice sounding algo. The Eventide team really brought it. Thanks for all of your hard work.
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January 17, 2020 at 5:43 pm #153767BoddeParticipant
Ok great a Trichorus algo. Thanks Eventide!
Hopefully it will do the Michael Landau 80’s sound. Can’t wait to to try it out!
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January 18, 2020 at 10:23 pm #153787UncleEustaceParticipant
LOVE IT.
can’t wait for Brock’s take on this!
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November 19, 2021 at 7:30 pm #160739toddmunderwoodParticipant
Thanks guys for finally doing a Tri Stereo Chorus – do you need my address to send me a free pedal for suggesting it lol?
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January 16, 2020 at 3:43 am #153747mjahoger wrote:Yes. It is lovely indeed. Combining this new algorithm with the SpaceTime in my second H9 is basically all I need (although a multi-tap delay with control over the individual modulation line and panning would be very welcome still!).
Can someone explain me what the difference is between the chorus and chorale mix? Listening to the difference, it seems it changes the phase of the modulated delay lines. Am I correct?
Glad to hear folks are enjoying it.
Chorale mode adds 2 additional fixed rate LFOs to each voice’s modulation, one fast and one slow. (So each voice is now modulated by 3 oscillators!) The fast one adds some shimmer and the slow one adds some low level swirl.
Also, in chorale mode the delay for each voice is inversely related to the depth. As you turn up the depth for a voice, its delay gets shorter. This lets you space out the delays in time, etc. (in chorus mode, the delay knob sets the minimum delay—this is good for dialing in stompbox style choruses)
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January 21, 2020 at 2:55 pm #153829brockParticipantUncleEustace wrote:LOVE IT.
can’t wait for Brock’s take on this!
I’m almost embarrassed to admit that I’m still buried in the Vibrato options. Might be some stuff that can be done in other algorithms, but one of the many effects to be mined in Tricerachorus.
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