This year’s SXSW Gear Expo was busier than ever. Eventide had two setups: one showing our Factor Pedals and Anthology X plug-ins with a Moog synth as part of the Deli Magazine’s…

“Know then that it is the year 10,191…” Those words begin the epic sci-fi movie “Dune,” released in 1984. What follows is a valiant attempt to try and recreate the scale, scope…

Dweezil Zappa demo’s the H9 Max in this in-depth video by Guitar Tricks. He’ll guide you through all the different effects algorithms available in the H9. Hint, he’s a big fan of…

Marcelo Cyro has worked for more than 15 years as a sound designer and engineer. He and his partner, Pedro Lima, worked on sound for the Brazilian movie, The Boy and the…

The world of physics has been abuzz with rumors that Einstein’s last unproven theory has been confirmed. “We have detected gravitational waves,” Caltech’s David H. Reitze, executive director of the Laser Interferometer…

If you modulate delay, does it create space? If you delay modulation, does it create time? We quickly realized we’re better at coming up with these cosmological koans than we are at…

This was Eventide’s umpteenth year participating in Winter NAMM in LA and while it’s always fun to escape the snow and cold of winter in the northeast, this year was the best…

When composing the title track of my new solo electric viola CD, “No Ordinary Window,” I considered the Eventide H9 to be a member of my ensemble, a collaborating player/instrument. Although technically…

The folks over at audionewsroom.net recently caught up with our senior DSP Engineer, Dan Gillespie, to discuss Eventide’s latest software release, Anthology X.  Do you have any advice for aspiring software engineers…