This was Eventide’s umpteenth year participating in Winter NAMM in LA and while it’s always fun to escape the snow and cold of winter in the northeast, this year was the best…

When composing the title track of my new solo electric viola CD, “No Ordinary Window,” I considered the Eventide H9 to be a member of my ensemble, a collaborating player/instrument. Although technically…

The folks over at audionewsroom.net recently caught up with our senior DSP Engineer, Dan Gillespie, to discuss Eventide’s latest software release, Anthology X.  Do you have any advice for aspiring software engineers…

Amidst the hubbub and hustle of Midtown Manhattan, through the endless shuffle of those in Halloween costume (and those that just looked like it), this year’s 139th AES Conference came and went…

I have been an active studio guitar player in Los Angeles since the 80’s, working on a variety of albums, movies, television shows and commercials. Throughout the 90’s and early 2000’s I…

Eventide caught up with Stevie Wonder during the Songs in the Key of Life Performance Tour. Wonder played for 3+ hours and brought up several special guests including Ed Sheeran, who helped…

Eventide’s BlogFactor We’ve had a blog for a few months now, and we’ve published features about awards, trade show visits and so on, and we’ll continue to do that. But enough about…

Guitar Player today announced that the Eventide H9’s CrushStation algorithm is the recipient of its 2015 Hall of Fame Maximum Gear award in the Technology category.  Maximum Gear The Maximum Gear awards…

The Best of Eventide  There are countless hit records where you can hear the signature Eventide sound. We’ve put together a small sample of some of our favorite artist interviews from the…